I believe we have now entered an era of new violins that offer a broader range of soloistic power and timbre—and quite a few great musicians are demonstrating this through their concerts.
And yet my approach is not new. In my workshop, driven by the passion of both a craftsman and a researcher, I embody the original interplay between art and science. Divisions can only be overcome if one speaks both languages.
The Handbook of Violin Acoustics contains numerous individual articles and acoustic discoveries from my daily work in the workshop. It is continually updated with the latest research findings.
